Don’t Worry Darling Movie Details:
Genre | Drama, Psychological, Thriller |
Country | United States |
Language | English |
Release Date | September 5, 2022 (Venice) September 23, 2022 (United States) |
Running Time | 2hr 3min |
Starring | Florence Pugh Harry Styles Olivia Wilde Gemma Chan KiKi Layne Nick Kroll Chris Pine |
Directed by | Olivia Wilde |
Screenplay by | Katie Silberman |
Story by | Carey Van Dyke Shane Van Dyke Katie Silberman |
Produced by | Olivia Wilde Katie Silberman Miri Yoon Roy Lee |
Cinematography by | Matthew Libatique |
Edited by | Affonso Gonçalves |
Music by | John Powell |
Production Company | New Line Cinema Vertigo Entertainment |
Distributed by | Warner Bros. Pictures |
Don’t Worry Darling Movie Cast & Characters:
- Florence Pugh as Alice
- Harry Styles as Jack
- Olivia Wilde as Bunny
- Gemma Chan as Shelley
- KiKi Layne as Margaret
- Sydney Chandler as Violet
- Nick Kroll as Dean
- Chris Pine as Frank
- Asif Ali as Peter
- Kate Berlant as Peg
- Timothy Simons as Dr. Collins
- Douglas Smith as Bill
- Ari’el Stachel as Ted
- Dita Von Teese as herself
Storyline:
A 1950s housewife living with her husband in a utopian experimental community begins to worry that his glamorous company could be hiding disturbing secrets.
Don’t Worry Darling Movie Box Office Collection & Budget:
Budget | $20-35 million |
Worldwide Collection | $87.6 million |
About Don’t Worry Darling Movie:
Don’t Worry Darling is an American psychological thriller film directed by Olivia Wilde from a screenplay by Katie Silberman, based on a spec script by Carey Van Dyke, Shane Van Dyke, and Silberman. Produced by Olivia Wilde, Katie Silberman, Miri Yoon, and Roy Lee under the banner of New Line Cinema and Vertigo Entertainment.
The film stars Florence Pugh, Harry Styles, Wilde, Gemma Chan, KiKi Layne, Nick Kroll, and Chris Pine. Don’t Worry Darling premiered at the 79th Venice International Film Festival on September 5, 2022, and was theatrically released in the United States on September 23, by Warner Bros. Pictures. It received mixed reviews from critics who praised Pugh’s performance, the cinematography, and production design, but criticized the screenplay and direction, and noted similarities to other works in the genre such as The Stepford Wives (1975) and Get Out (2017).